You Are A Brilliant Flower That Ever Blooms (???, 2009)
Well, my iTunes library is no different. It is officially out of control. So much music, and most of it I have a pretty decent idea of where it came from. But if you're like me, surfing around, checking other blogs (see right for a neat and tidy list of the ones we at the TOME frequent), on Facebook a lot checking out what other folks are sharing... you just start clicking. Well, I finally got around to hitting play on this album by an artist simply known as *e*. I don't know where it came from, who gave it to me, why I thought it might be a good idea to download it, how it magically had the awesome artwork with it... WHO. Who, I ask, gave me this gorgeous nugget of acoustic, lo-fi gold? More importantly still: WHO. Just who, may I ask, are you, *e*?
I'm not sure I'll get an answer here—*e* is a name that is basically impossible to Google. A search for this album's title yielded one blog post that offers little in the way of information, other than the fact that *e*'s real name is likely *e*-lizabeth Hill. MySpace, Facebook, Bandcamp... nothin'. So if anyone out there has any ideas on this for me, I'm all ears. For now... a quick review:
*e*'s music is as mysterious as to the reasons I've stumbled across her path. Acoutic guitar-based folk songs that are sometimes stark, sometimes quite full—of noise, rumblings, drums, synths, bass, stray voices, flutes, clitter-clatter, mallet instruments... The effect is one of weirdness in your general freak-folk-weird sort of way. But *e* doesn't really push away the way others in the freak-folk arena have been known to. *e*'s songs often begin with beautiful chords and hummable Jeff Magnum-like tunes, and then let the creepies set in to eventually overcome them altogether. But mostly, *e* chooses to let these songs get overwhelmed with beauty rather than ugly, stacking oddities and outlying sounds and effects that find supple harmonies within themselves and resonate deep.
This album is quite clearly DIY—tape hiss, static, slightly skipping glitchy digital info, "testing"'s, etc. "Phantom O' The Opera" is a bit excruciating, though the organ is quite nice. Same goes for closer "pretty kitties .deux," which is a gorgeous song, rudely chopped in spinning static. There are probably a handful of actual copies in existence, and one of those was miraculously uploaded to the throughs of the worldwide web from a scratchy CD-R. But like most treasure, this can also be beautiful because of its blemishes. You Are A Brilliant Flower sounds old and weathered, though the metadata from the mp3 files reveals this came out only last year. Like an old photograph, its the image that's what is important: an imaginative voice and one of the more creative songsmiths I've heard in months (and I've heard a lot of good ones) that is unmistakeable, if a little fuzzy. I'm sad to say that I have no idea why I even have this wonderful album. But like most of the piles of old stuff I've been going through in the past week, I'll find a dusty trunk to wrap this up in a blanket and gently tuck away somewhere inside my brain, in some deep corner of my subconscious. It's already there, waiting for me to open it up and remember... that time I forgot. Thanks, *e*. Whoever you are.
Download You Are A Brilliant Flower That Ever Blooms here.